Animated music video for Viragor by Beans, former member of NYC hip-hop collective Antipop Consortium.

Unofficial music video for Never Come Back by Caribou, using clips from almost a hundred films watched during lockdown.

The song comes from his superb album Suddenly, I heavily encourage you to check it out:
Spotify
iTunes
Bandcamp

A man scatters ashes multiple times in the same day. Who is he, and where are the ashes coming from?

Played at Istanbul International Experimental Film Festival 2018.

A voice on an intercom calls out for help. Or is it the intercom itself?

My submission to Straight8 2018. Shot on one cartridge of Super-8, no post-production.

A man is followed around by a hauntingly familiar figure.

***WARNING - STROBE EFFECT***

Video art commission for Cutler & Gross. Inspired by the Tibetan Book of the Dead and Brion Gysin's Dreamachine, Bardo uses sound, flickers and animation to imagine a colourful vision of the afterlife.

Ante-Climax compiles the last second of 120 major films, one for each year since cinema's birth. This last second is the final image the audience sees before the fade to black, the closing credits, the title-card reading "Fin". It's the moment before the fantasy dies and the viewer returns to reality. Some films sign off with a kiss, others with the closing of a door or the shooting of a gun.

Irish-language experimental short produced for poet Faraòn Meteosès' multimedia project Largo Sguardo. Narration by John Patrick Egan.

Music video directed and animated for Charles Bradley’s Where Do We Go From Here, from his incredible second album Victim of Love.

Darkness Is Good is a B&W digitally-animated short. Using a ritual song of the Mbuti people of Congo as its soundtrack, the film cycles through a series of abstract symbols and images morphing into one another with seemingly little connection. Upon closer inspection however, patterns and relationships begin to emerge. With the hourglass motif at its centre, the film is palindromic in form, with symbols at opposite ends of the film representing two halves of binary oppositions – light and dark, birth and death, etc.

Darkness Is Good is intended to be played on a loop, but also functions as a standalone film.

Official music video for Mariettas Lied by Nicola Bendetti (from her album The Silver Violin). Produced for Decca Classics.

Mark Byles as Man
Camilla Watson as Woman

Music video for Onesome by I Am Harlequin.

Official music video for A Tightrope Dance by Puzzle Muteson, released by Bedroom Community.

Collage video for Purrple Splazsh by Actress, from his incredible second album Splazsh, released on Honest Jon’s Records.

Collage music video for @ Dawn by Skylines, from his self-titled 2011 EP.

Collage video for the track Ayandeh by Police Academy 6 + Kodak to Graph, from the album Police Academy 6. Available digitally here.

A short experimental piece using clips from films by Mikio Naruse. The music is adapted from Catherine Christer Hennix's miraculous composition Electric Harpsichord No. 1.

The piece plays on a pun, investigating to what extent cinema is a 'moving' image. Kurosawa once characterised Naruse's film style as "a great river with a calm surface and a raging current in its depths", and by impeding (but not entirely removing) the sense of motion in the images, I hoped to reinvent Naruse's film works as a mood piece, one whose effect works against the expected flow of motion pictures.

Collage music video to Fill In The Blanks by Police Academy 6 and Top Girls, from the album Police Academy 6. Footage from Top Gun and other sources.

***WARNING: CONTAINS STROBE EFFECTS***

My unused submission for the Genero.tv competition to direct the music videos for David Lynch's double A-side single Good Day Today/I Know.

Collage music video for the track Run by Police Academy 6, from his EP <3 // PA6. The video comprises clips from the Police Academy films and various damaged VHS.

A synaesthetic exploration of two spirited French women through the medium of film. The images are an evocation of Joan of Arc, circling the island of St. Michael's Mount in pilgrimage, while the sound belongs to Édith Piaf, whose voice rings through the disorder of the soundtrack.